Four Artists

Concrete Storm by collaborative artist Ralph Nauta and Lonneke Gordijn

In collaboration these artist show the parellels between both the real virtual world while exploring possibilities. They believe that combining both virtual and physical world, they can open the door to many possibilities. I choose these particular artistes' intstallation because both the physical objects and virtual objects are bound by a related interlocking theme. The virtual concretes objects in my eyes are extensions and enhancements of the physcial objects.

The first-ever transatlantic mural using Microsoft's HoloLens by Cayla Zeek and Hans Edward Hammonds

In another colloration these two artists painted on the same mural in two different continents. With the HoloLens they were able to interact and paint their portions with the holograms. I choose this artist becasue the ideas of interaction was essential when thinking about my concept for my show. I want my audience to be able to interact with the media in a new and engaging way with my holographic art.

Stedelijk Museum Amsterdam - Hololens augmented reality workshop 02.06.2017

Although this is not a specific artist, I would like to add this to the list for reference. This was a HoloLens workshop that used the tap gesture to move objects within the gallery space and onto other objects and people. This is significant because this is similar to how I want my virtual holograms to move and interact within the gallery space.

A recent photograph by Mary McCartney horseriding

This artist is a photographer that grew up with recollections about her mother and father being involved with traditional photography. She indicates that her family pictures are precious and descibes the that her photos are evocative and emotionally bounding to specific memories. I chose this artist because they base their ideas on the concept of family and sentimental memories that photos bring to a person. I want to explore concepts and ideas of sentimental value in a similar way by using virtual and real objects in the gallery space.

Sentimental Value by Emily Spivack

As a web-based project, Spivack tells the story of special objects found online. She expresses the narractives of these objects and captures the value of the memories they hold. This artist makes sense for me to include, because my theme for my show revolves around the concept sentimental value. The objects I want use in my gallery have sentimental value and I want to encase and highlight that value and narrative by way of interactive holograms.